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Kyosei Black KS-70

This vat-dyed kozo sheet has been treated with konnyaku (devil's root) starch making it literally "strengthened" and it is hand-crinkled.  After several rounds of boiling the paper with konnyaku starch (applied like a clear paint),and drying on the line in...

M-0248.5 Hakudoshi Koba - Half Sheet

A backed, heavyweight paper with a highly textured, even-gritty, sandy surface.  Has kozo bark flecks for a little decorative effect. This paper can be used for drawing, charcoals, pastels and even bookbinding, box making, collage, lighting, and other interior design projects....

Kyosei Elephant Grey KS-67

This vat-dyed kozo sheet has been treated with konnyaku (devil's root) starch making it literally "strengthened" and it is hand-crinkled.  After several rounds of boiling the paper with konnyaku starch (applied like a clear paint),and drying on the line in...

Kyosei Candy Pink KS-28

This vat-dyed kozo sheet has been treated with konnyaku (devil's root) starch making it literally "strengthened" and it is hand-crinkled.  After several rounds of boiling the paper with konnyaku starch (applied like a clear paint),and drying on the line in...

Kyosei Teal KS-54

This vat-dyed kozo sheet has been treated with konnyaku (devil's root) starch making it literally "strengthened" and it is hand-crinkled.  After several rounds of boiling the paper with konnyaku starch (applied like a clear paint),and drying on the line in...

Hakudoshi Koba-M-0248

A backed, heavyweight paper with a highly textured, even-gritty, sandy surface.  Has kozo bark flecks for a little decorative effect. This paper can be used for drawing, charcoals, pastels and even bookbinding, box making, collage, lighting, and other interior design projects....

The Witch and the Skeleton by Kuniyoshi Utagawa MSY-9

Special Halloween edition Japanese print just flew in! This ukiyo-e by Kuniyoshi Utagawa features a dramatic encounter of a witch and skeleton.  It is a silkscreened version of an old woodblock print, therefore it's at very reasonable price!   Ready to frame...

Gampi Sukiawase Natural M-0227

Gampi Sukiawase or "surface gampi" is a heavyweight printmaking paper with a 100% gampi surface and a sulphite backing.This paper works well for intaglio, photogravure, and the Japanese woodblock printmaking method, mokuhanga. Printmakers appreciate this paper for its strength, smooth surface which can capture great image detail. This...

Tengujoushi (Tengucho) Slate Blue Small MA-0007

Meet the machine-made cousin to the thinnest handmade Japanese paper in the world.  Although the fiber is prepared by hand, the final sheet is formed by a machine for this version of Tengujoshi. Tengujoushi is famous for being so lightweight, yet so strong. Why choose...

Kozoshi Text Weight Natural with Sizing-56.5gsm M-0206

This is a natural, medium-weight kozo (mulberry) paper from Japan, with some internal sizing.  For everyone from the beginner to the expert, this paper is suitable for many types of artwork. Ideal for all sorts of printmaking, painting, drawing, dyeing. Also used for...

Mino Washi Fire G-0302

Hailing from Mino, Japan, Gifu Prefecture, this sheet of washi was specially made to be used for inkjet printing.  Other printmaking methods, such as silkscreening, letterpress, and other relief printmaking techniques can be applied, even alternative photography printing. Fire is one of...

Kyosei Rust KS-20

This vintage, vat-dyed kozo sheet has been treated with konnyaku (devil's root) starch making it literally "strengthened" and it is hand-crinkled.  After several rounds of boiling the paper with konnyaku starch (applied like a clear paint),and drying on the line...

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