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Curating WITH PAPER September 12 2022

I recently curated a gallery group exhibit gallery at Pawtucket Arts Collaborative. Show Title: WITH PAPER, A PAC Gallery Pop-up, showcased works by Bayda Asbridge, Suzi Ballenger, Justine Chang, and myself, Lauren Pearlman Sugita. All 4 participating artists work with paper in different ways with overlaps. The basis, of course, was how we all work with, live with, and communicate with paper.
Lauren Pearlman Sugita, couching, SMFA
handmade paper A Book of Spinach & Feta
handmade flax paper Mollusks from Mars
handmade cotton paper, Laurelai Designs Woven Vines
Putting together such a quick turn-around event like this, definitely challenged my "juggling" skills. I was super-focused and in an abbreviated amount of time, it came together! The collaboration afforded me the opportunity to connect and deepen relationships with three super-talented artists, mainly by spending intimate time with their work. It was interesting for me that the act of curation, allowed me to know each one in a new way (including myself!). As I continually seek community, the experience provided a new path for connectivity and bonds. As WITH PAPER, the gallery show, assembled in just a few days, a "community" was formed. Those connections were the most rewarding gift of WITH PAPER. I requested each of the other 3 artists to send in a comment subsequent to the show.
Bayda Asbridge mixed media Our Village
BAYDA ASBRIDGE writes: I was invited by Lauren Pearlman Sugita from Paper Connection to participate in this pop-up exhibit WITH PAPER at the Pawtucket Arts Collaborative. It was short notice but still, Lauren worked extremely hard to put a very professional show together with our group while maintaining her business during the day. I was incredibly grateful to be invited and to be part of this beautiful exhibit because it gave me a deadline to finish a paper tapestry "San Diego on My Mind", an opportunity to bond with other artists, and the opportunity to reach a wider audience.
Bayda Asbridge mixed media fiber, paper, weaving San Diego on My Mind
Bayda Asbridge mixed media fiber, paper, weaving Blue Lagoon by Bayda Asbridge
SUZI BALLENGER writes: Thank you Lauren for your curatorial wisdom and vision. WITH PAPER became an opportunity to work through my thoughts on the series “To Be of Use”. These works reflect on the interconnection of vitality/detritus, growth/sediment, and need/sacrifice, an exciting exploration worth further investigation. Meeting the other artists was an honor. The work chosen for this exhibit made me feel like I was part of a common understanding and passion.
Suzi Ballenger handmade paper, onion skin To Be of Use
Suzi Ballenger handmade abaca paper, reed, porcupine quills I realized I was the one who was trapped. I just couldn’t swallow another fly!
Suzi Ballenger handmade abaca, hemp Suggestive Freedoms
JUSTINE CHANG writes: The show came together beautifully, and I was honored to be a part. As someone who is new to handmade paper, I’ve been constantly surprised by the generosity of other artists working with paper, including Lauren, Suzi, and Bayda. It was such a meaningful experience, to meet the artists, and to see the response of people who came to view the work. All of this confirms for me, that working with paper is an important way to reconnect with my body, my heritage, and nature.
Justine Chang photography on Korean paper. hanji Series: Margins
Justine Chang photography on Korean paper. hanji Series: Margins

Experimental Cyanotypes on Washi September 09 2022

cyanotypes on washiArtist Sarah Dunn writes on papers for cyanotype: "Generally when looking for papers to create cyanotypes, I traditionally want to find something with good absorbency and light in color. Papers with internal sizing, or sizing on one side will accept cyanotype chemistry with little to no bleeding. Choosing paper naturally light in color will allow for stronger contrast between the Prussian blue of the Cyanotype ground and the white silhouettes. You also want to ensure that whatever sheet you choose is strong enough to withstand agitation in a water bath."wet cyanotype, contrase Some Japanese papers or "washi" tested out for Experimental (wet and dry) Cyanotypes on Washi workshop, July 2022 at Paper Connection in Providence, RI: Kozo White Heavyweight G-0001 was made explicitly for inkjet printing, meaning this sheet has a coated surface for holding detailed printed ink on its surface, yet its absorbency should be even. Paper Connection carries a whole series of these "inkjet" papers in a series coded with "G." Kozo White Heavyweight G-0001's pure white tone provides a striking contrast to the blue of the cyanotype print. This washi is made mainly from the very strong Kozo (paper mulberry) fiber, it's heavyweight and able to withstand agitation, moreover, you can leave it for quite a long time developing in a water bath. Other papers tested were: Kozo Natural Medium Weight M-0202, Mistumata Unryu Heavyweight G-0006, Green Tea Flecks on Green G-0016, Masa Soft White I-MM - Unlike the other 4 papers above, Masa Soft White I-MM is not made with any sizing at all. Unusual and textured washi tested were: Kinwashi M-0268 - This paper was difficult to evenly chemically coat due to the irregular and uneven surface. The irregular coating could be considered a negative or positive, so experiment; enjoy the unexpected outcomes! You may also experience uneven "washout" when you have unevenly coated paper. Heavy White Crepe I-SDW was very textured but lost its "crepe-ness" with a wet coating; the texture also yielded an uneven coat. Again, this could be a pro or con depending on the effect you are going for. A few DIY tips: if you are doing this process outside using the sun's power, prepare medium-weight, folded, clear acetate or 2 pieces of Plexiglass to "sandwich" your work while it develops under the sun. You can also use stones and rocks for weights, however, they are a bit awkward to carry from spot to spot. You can leave your clear "sandwich" on the ground while it develops, avoiding movement. We still recommend having weights like stones in case the wind picks up! They are very handy! agitating, washing paper workshops, Providence, cyanotypes, solar prints, Paper Connection Please join our mailing list and watch for future, paper arts workshops. We want you to be part of our COMMUNITY OF PAPER PEOPLE!

Love Going Out To Nepal; Update from Paper Connection May 07 2015

We have recently received word that the paper making community we work with are okay considering the scope of the recent tragedy in Nepal. We are relieved, although concerned with current conditions. Of course the paper makers have suffered much loss, and now must face the long hurdle of rebuilding and, more importantly, healing in various ways. Please join us and continue to find ways to support the people of Nepal through various organizations so clean water, food, medicine, and other necessities can be effectively delivered and administered. Thank you. SONY DSC

Some views of May 5th in Japan May 02 2011

As you can see, it's a little different than Cinco de Mayo celebrations. May 5th is known as Boy's Day, Children's Day, kodomo no hi, or as I call it : "The day when fish fly".
Click on the youtube link below to check out a monster size koi nobori 鯉のぼり (carp kite): Biggest Koi Nobori Ever!